Quadrus Negrus (1987–1992) is Marga Ledora’s first drawing series. In it, the artist explores the house as a central object, focusing on its gaps, creases, corners, and shapes—constructing and deconstructing its imaginary form. Throughout her research, Ledora experimented with various materials until she achieved the complexity and grandeur that are unveiled in the unique architecture of the works in the series.

The houses emerge as abstract, colorful traces erupting from the black background. The Carmen paper’s rich texture and muted tone make the dry pastel pigment stand out, which, in contrast to the support, gives life to Ledora’s constructions. The title Quadrus Negrus refers to the artist’s past. By altering the letter “o” to “u,” Ledora pays homage to her background in linguistic research, particularly in the study of spoken language.

Although the figures that inhabit Quadrus Negrus seem to float in the vastness of the black paper, they carve their presence at the heart of the composition, attracting the gaze to a singular and unconventional universe—one where Marga Ledora’s houses come to life.

Karina Pinto